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Editorial

How We Pick Videos

The working criteria for deciding which golf instruction videos earn a spot on StackingBirdies.

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Why this page exists

YouTube has more golf instruction than any reader could watch in a lifetime. Most of it is free, much of it is good. If StackingBirdies is going to sit between you and that library, it has to do something the library cannot do on its own. What follows is how we decide which videos make it onto the site, which ones do not, and what gets reconsidered when the evidence moves.

The disqualifiers

A video can be cut before it ever reaches the shortlist. The most common reason is audio that does not let the lesson through. If the coach is mic'd poorly, or the shot is washed out by wind, or the editing buries the key sentence under music, the video has already lost the reader. We do not put work in front of a reader that the reader cannot follow.

Sponsorship breaks the same way. There is a fair version, where a coach uses a piece of gear in a lesson and acknowledges the sponsor. There is a version where the lesson is a vehicle for the sponsor, and the instruction collapses into a thirty-second product demo with a swing thought attached. The second version does not make it on.

Shortlisting criteria

Once a video clears the disqualifiers, we look at what is on the screen. Clarity is the first thing. One concept, taught once, with the working part of the swing actually shown. Talking-head videos that describe a move without ever demonstrating it tend not to survive the cut, even when the underlying advice is correct, because the reader needs to see the move at amateur speed.

The second thing we look for is durability. A lesson that holds up at amateur tempo is more useful than one that only works at tour swing speeds, and we weight accordingly.

The last thing is whether the lesson rewards a second viewing. Some videos are good once and exhausted on re-watch; the reader took the one cue and moved on. Others reveal a second checkpoint, or a useful drill, the second or third time through. The second kind is what we want on the site, because category pages are returned to, not consumed once.

The role of the coach's track record

A coach's reputation is real signal, but it is not decisive. The best teachers in the world publish weak videos sometimes. They publish a one-camera lesson at the end of a long day, or they revisit a topic they have covered better elsewhere, or they let a producer push them into a hook that does not match the content. The video gets weighed on its own first, before we look at the name attached to it.

The reverse is also true. A coach without a household name can publish a clean, well-shot, well-argued lesson, and it will earn a place on the site exactly like any other. The reader does not need to recognize the channel for the lesson to work. They need the lesson to work.

The re-evaluation cadence

The site is not a one-time review. Every category page gets revisited once a month. The videos on it are still watched, the lesson is still tested against what we now know, and the order can change if a clearer or more durable video has shown up in the intervening weeks. A video that earned its place six months ago does not get to coast on that decision forever.

Some events trigger a re-evaluation outside the monthly cycle. If a coach publicly revises a position they had previously taken in a video on the site, the affected video is pulled and reconsidered. If new launch-monitor research moves the consensus on a topic the site covers, every video on that category page is re-watched against the new picture. Attack angle for the driver, low-point control for irons, and putting face control are the kinds of topics where the consensus has actually moved in the last few years, and where a category page that ignores the shift starts to feel out of date.

Reader behaviour also triggers re-evaluation. If page analytics show a particular video is consistently passed over while its neighbours on the same page get watched, that is a signal worth taking seriously. The reader is telling us something about which video earned its place on the page and which one did not. The under-watched video is reviewed against the rest of the shortlist, and if a better-fitting video exists in the broader library, the swap is made.

The point of the monthly sweep is not novelty. The point is that the editorial position the site takes on a topic is supposed to be the current best one we can defend, and that requires looking at it again on a real schedule rather than only when something is obviously broken.

What this means for what's on the site

The disqualifiers, the shortlist criteria, the way we weigh a coach's catalogue against a single video, and the monthly sweep all add up to the same thing: a category page on StackingBirdies is a working position, not a feed. It reflects a series of editorial decisions about what to put in front of a reader and what to leave out, and it gets revisited often enough to be honest about where the consensus has moved.

A reader can see the result on any of the category pages, but it shows up most clearly on the ones we have done the most work on. The Fix My Slice page is where we have replaced the most videos as cleaner alternatives have surfaced. The Driving page reflects the launch-monitor consensus on attack angle and on the role of hip-lead sequencing. The Putting page is where the role of face control over path control became visible enough in the last few years that the page now leans accordingly. The Short Game page is where we are most cautious about a coach's wider catalogue, because the field is full of single-video gimmicks that do not survive the second viewing.

The site is not trying to be comprehensive, and a video that did not make it on does not get a quality verdict from us. It might not have fit the topic the page is built around, or it might have been clean but redundant with a better-shot video already on the page. Exclusion is a fit decision, not a judgment about the coach's craft.

That is the editorial position. Anything else on the site that surprises a reader, a video that should not be there, a topic that has not been updated when it should have been, is a defect, and we want to hear about it. The contact email is in the footer.

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